Как всегда, валяет дурака, – сказала Сьюзан. Стратмор не скрывал недовольства. – Он ничего не спрашивал про «ТРАНСТЕКСТ».

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Search the Wayback Machine Search icon An illustration of a magnifying glass. Sign up for free Log in. EMBED for wordpress. Want more? Advanced embedding details, examples, and help! Publication date Topics popt2t Language English. Prince of Persia: The Two Thrones is a third-person action-adventure puzzle-platforming video game developed by Ubisoft Montreal and released in North America December across most major platforms.

Shortly following the events of Warrior Within, The Prince returns to his home in Babylon only to find it under siege by the Vizier and the nomadic Scythians. When his ship is attacked, he is separated from Kaileena, who is kidnapped. Corrupted by the Sands, the Prince’s darker nature is personified in the form of the “Dark Prince”.

Torn between vengeance and helping his kingdom, the Prince must decide what is more important to him before all of Babylon and the world is destroyed by the Vizier’s destructive grab for power. There are no reviews yet. Be the first one to write a review. Community Collections. Through the great struggles he has faced, however, a more vicious, unforgiving side of the Prince has developed from deep within his psyche, and it may no longer be contained.

Players will also control this “Dark Prince,” a bitter warrior of deadly efficiency, with a completely different set of fighting moves and abilities.

Set after the events of Warrior Within, the game begins as the Prince returns home from his trying ordeal on the Island of Time, accompanied by his love, Kaileena. When the two arrive in their homeland they find it in turmoil, devastated by an ongoing war.

The kingdom no longer looks to the Prince as its ruler. To the contrary, the people of the land now consider him a criminal, and arrest him almost immediately. In a last desperate act to save her betrothed, Kaileena sacrifices herself to release the mystical powers of the Sands of Time, allowing the Prince to use their magic to escape his captors, but also unleashing his vengeful Dark side.

Prince of Persia: The Sands of Time marked a comeback for Jordan Mechner’s classic PC franchise that save for one abortive revival attempt had been languishing for years. The classic puzzle-solving gameplay of the original made a seamless transition to 3D, and if the game’s combat wasn’t all that great, it was more than made up for by the fun of running up walls, sliding along ledges, dodging fiendish deathtraps, and solving room-sized conundrums.

The series seemed to lose its way a bit with the sequel, The Warrior Within. While the combat had been improved and the puzzles were even tougher, the Prince’s new 80’s hair-band-reject look and nu-metal musical soundtrack from Godsmack felt too out of place to many critics and players.

If you were in that group, you’ll be glad to hear that Ubisoft brought our Middle Eastern hero back to his roots in his latest adventure, The Two Thrones. The result is a return to grace for our troubled royal acrobat. The game begins with the Prince returning to his home city of Babylon from the Island of Time, the location of the second game, with his new love Kaileena in tow. Unfortunately, all isn’t well in the city. In fact, the whole place is essentially on fire thanks to an assault by an army from India that has brought the Prince’s kingdom low.

Never being one to stand around when there are heads to be cut off and death-defying leaps to be made, the Prince wades into the fray, scimitar at the ready. As always when the Prince’s sword overrules his head, however, things go horribly wrong, an old enemy returns, and the Sands of Time are again released. The return to Babylon is more than a mere story element. It marks the series’ return to the beautiful Middle Eastern art and design the so enriched the first title.

The Two Thrones’ environments range from the streets and rooftops of Babylon to underground caves, long buried tombs, to the famous Hanging Gardens. All of these settings, without exception, are stunning.

As might be expected, the sharper, more detailed graphics for the PC version of the game are the clear winner when compared with the consoles, especially at higher resolutions Prince of Persia: The Two Thrones supports resolutions up to x; there’s no widescreen, but the game ran smoothly on our test machines. More than the detail, though, what stands out is the game’s art design, things like the blowing curtains that festoon the royal palace, the mysterious glowing blue torches in a forgotten crypt, or the lovely geometric patterns, arched doors, and latticework screens used as architectural highlights.

The game also makes heavy use of light bloom to create the golden, dreamlike glow fans of the series remember from the first game. Unlike the ever-changing colored filter from The Warrior Within, though, this effect never gets annoying, it merely serves to transport the player into what feels like a new tale from The Arabian Nights. Ultimately, the one area where the graphics suffer is during the game’s few FMV scenes.

These scenes are a typical example of something that looks fine on a television screen looking grainy and washed out when ported over to a PC monitor. The Two Thrones also marks a returns to the original style of level design, although that’s not necessarily for the better.

The Sands of Time was fairly linear; once the prince made his way past an area, the player would never see it again.

The Warrior Within, on the other hand, took more of a “puzzle-box” approach to level design, creating areas that the player would have to cross and re-cross numerous times in order to advance.

While there are a few set-pieces like that in The Two Thrones, most levels have more in common with the first game. It’s not that the new levels aren’t a lot of fun — they are and the design certainly makes the game more accessible to new players — it’s just that in many ways this feels like a step back for the series.

Anyone who’s bulled their way through some of the intricate clockwork levels of Warrior Within simply isn’t going to be challenged much by The Two Thrones. Level design aside, one of the great appeals of this series has always been the sheer joy of controlling the insanely agile prince as he jumps and leaps through an ever-escalating series of ledges, cliffs, broken columns, and spinning blades sprouting from bizarre portions of the architecture. Naturally, with precise control being so important, this is the element that will make or break the game.

The default keyboard and mouse control system is usable — no mean trick for a console platformer — but is still far from the best way to control the game. Using this system feels a bit awkward, can require finger-twisting gyrations in certain areas, and the mouselook often seem to fight with the camera, making camera movement kind of jerky.

The good news is that the gamepad support is excellent. I tried the game with both a Logitech Dual Action control pad and a Nyko Air-Flo for PC, both with button layouts similar to the PlayStation 2 controller, and both gamepads worked fine. The silky smooth control system found in the console versions has made the trip to PC completely intact.

This was a relief, since the gamepad control system for The Two Thones is easily the best in the series to date. This time around, the prince sports a couple of new moves, including using his dagger to dangle from conveniently placed wall decorations and the ability to shimmy up narrow columns. These new abilities are seamlessly integrated into the game’s controls, making the connection between the player and the prince almost telepathic at times. The game’s camera is also amazing, easily one of the most powerful and flexible camera systems I’ve ever seen in a third-person game.

There was never a moment during play where the camera got stuck in an awkward position or refused to move where I needed it to go. This level of control also carries over into the game’s combat, traditionally one of the series’ weakest points.

The good news is, since the incredibly good controls carry over into the combat system, it’s not difficult to get the prince to move and fight in exactly the way the gamer wants.

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